Poetry has the potential to serve as a double-edged weapon. In Stream of Consciousness: Poetics of the Universal, Vakunta stirs the hornet’s nest, calls a spade a spade and throws gibes at emasculators of social justice. Vakunta refuses to sit on the fence and watch the world go by.Strong in the conviction that poets must adjudicate upon the affairs of men, the poet picks up the cudgels to do battle with forces of evil the world over. He gives to Caesar what is Caesar’s and to God what is God’s.Widely traveled and seasoned by his worldly experience, the poet serves the reader with a bitter-sweet menu analogous with the ontological labyrinth to which he has been exposed in the course of his peregrinations around the globe. In this anthology of poems spanning a quarter century, Vakunta bemoans the fate of a world where miscreants pass for holier-than-thou; wherein scoundrels speak for the voiceless; and mammon dines with servants of God. The portrait painted in this book is that of a world where moral bankrupts proceed with nauseating impunity to trample on the rights of lesser beings. Stream of Consciousness: Poetics of the Universal is the poet’s loud cry against the reign of impunity and the endemic moral crisis that has become the canker of this blighted planet.
On perusing ''Stream of Consciousness: Poetics of the Universal '' by Peter Wuteh Vakunta, one is struck by the eclectic and englobing nature of themes broached. Vakunta’s poetry is both a transversal and longitudinal dissection of our world. The poet assumes the posture of a divinity casting interrogative glances at the deeds of humans. Not a single terrestrial creature evades his prying eyes. Even the most subtle creatures on Planet Earth are scathed by the poet’s effusion of vitriolic emotions. The poet pursues evil-doers right into their graves. Even in their death throes, he continues to deal them fatal blows. Armed with a caustic pen, this chronicler does not sit on the fence and watch events transpire. Instead, he speaks for the downtrodden of all races and social strata: black, white, yellow, Papuan, Andalusian, wretched, opulent. This adds grist to the title of the book. The poet distances himself from the rigor of Kant and the moralism of La Rochefoucauld. Weary of hearing the voices of humans in distress, he paints the portrait of another kind of Humanity. Vakunta’s poetry celebrates the harmonious cohabitation of verbal sophistry with the power of the word. [Tamegnon Demagbo, University of Indianapolis, United States of America]
About the author
Dr. Peter Wuteh Vakunta is translator, novelist, poet, storyteller and literary critic. He is a prolific writer with over 40 books to his credit. His seminal works include: Lion Man and Other Stories (2005), No Love Lost (2008), Grassfields Stories from Cameroon (2008), Indigenization of Language in the African Francophone Novel: A New Literary Canon (2011), A Nation at Risk: A Person Narrative of the Cameroonian Crisis(2012), The Life and Times of a Cameroonian Icon: Tribute to Lapiro de Mbanga (2014), Camfranglais: The Making of a New Language in Cameroonian Literature (2014). Dr. Vakunta is current Chair of the Department of Modern Languages at the University of Indianapolis, USA.
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