By Dibussi Tande (Originally published on Scribbles from the Den)
During a tour of Cameroon in 1975, James Brown, the Godfather of Soul, met Tala Andre Marie, a budding Cameroonian blind singer and guitarist who had just released a funk number titled Hot Koki. Tala gave him a copy of the record "to give him an insight into the kind of music being made in Cameroon". According to the Boston Globe, “Two years later, Brown dropped “Hustle!!!’’ – with the same melody, beat, and arrangements, only with English lyrics.” Tala and his music label, Fiesta Records, gathered a team of lawyers who filed a law suit in the United States. After a drawn out battle that lasted four years, an American court concluded that James Brown had indeed used Tala’s song without authorization. According to Tala, there was very little financial fallout from the case, with the bulk of the money going to the lawyers. Tala however contends that it was nonetheless a moral victory and good PR.
Manu and the King of Pop
In 1982, it was turn of Manu Dibango, the King of Soul Makossa, to deal with plagiarism. 10 years earlier, Manu had recorded a hit song called “Soul Makossa” which was nominated for the Grammy awards. According to The New Yorker, Soul Makossa, which was the B side of Mouvement Ewondo, a single composed for the 1972 African Nations Cup in Cameroon, was ...
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